{"id":1568,"date":"2024-12-13T12:57:04","date_gmt":"2024-12-13T11:57:04","guid":{"rendered":"https:\/\/theatredebagatelle.com\/?page_id=1568"},"modified":"2025-06-28T10:12:09","modified_gmt":"2025-06-28T08:12:09","slug":"voyage-poetique-et-symphonique","status":"publish","type":"page","link":"https:\/\/theatredebagatelle.com\/index.php\/voyage-poetique-et-symphonique\/","title":{"rendered":"\u00ab\u00a0Voyage Po\u00e9tique et Symphonique\u00a0\u00bb"},"content":{"rendered":"\n<div class=\"wp-block-group is-layout-flow wp-block-group-is-layout-flow\">\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image aligncenter size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"800\" height=\"103\" src=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Titre_Guillaume_Voyage-1.jpg\" alt=\"\" class=\"wp-image-1601\" srcset=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Titre_Guillaume_Voyage-1.jpg 800w, https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Titre_Guillaume_Voyage-1-300x39.jpg 300w, https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Titre_Guillaume_Voyage-1-768x99.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/figure>\n\n\n\n<p class=\"has-large-font-size\">Cr\u00e9ation 2025<\/p>\n<\/div>\n<\/div>\n<\/div>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p>piano, chant et arrangements: Guillaume Giraud<\/p>\n<\/div>\n<\/div>\n\n\n\n<p>Amours Am\u00e8res<\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column justification_texte is-layout-flow wp-block-column-is-layout-flow\" style=\"--col-width:66.66%;flex-basis:66.66%\">\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Dans l\u2019Amer Amour, Jean-Richard Freymann nous introduit \u00e0 une m\u00e9ditation \u00e0 la fois&nbsp;<strong>douce et cruelle<\/strong> sur <strong>deux r\u00e9alit\u00e9s<\/strong> qui figurent parmi les plus<strong> ambivalentes de l&rsquo;exp\u00e9rience humaine <\/strong>: <strong>l&rsquo;amour<\/strong> &#8211; hant\u00e9 par son double <strong>la haine<\/strong> &#8211; et <strong>la m\u00e8re<\/strong> \u2013 parasit\u00e9e <strong>par la femme<\/strong>, ou plut\u00f4t par le nouveau statut de la femme. Cette ambivalence se lit bien dans <strong>les r\u00eaveries des fils<\/strong>&#8230; (cf. L\u2019Amer Amour de Jean-Richard Freymann, editions eres)<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Dans son <strong>parcours onirique<\/strong>, <strong>Guillaume Giraud<\/strong> se laisse embarquer sur <strong>les mers intranquilles<\/strong> des <strong>Amours Am\u00e8res<\/strong>.<\/span><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\" style=\"--col-width:33.33%;flex-basis:33.33%\">\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" decoding=\"async\" width=\"355\" height=\"500\" src=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Affiche_Guillaume-Amour_Ameres.jpg\" alt=\"\" class=\"wp-image-1599\" srcset=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Affiche_Guillaume-Amour_Ameres.jpg 355w, https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Affiche_Guillaume-Amour_Ameres-213x300.jpg 213w\" sizes=\"auto, (max-width: 355px) 100vw, 355px\" \/><figcaption class=\"wp-element-caption\"><em>\u00ab\u00a0Voyage Po\u00e9tique et Symphonique\u00a0\u00bb<\/em><\/figcaption><\/figure>\n<\/div>\n<\/div>\n\n\n\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">Dans <strong>sa qu\u00eate de l\u2019\u00eatre aim\u00e9<\/strong>, il rencontrera <strong>la lune<\/strong>, \u00abla nourrice empoisonneuse de tous les lunatiques \u00bb, <strong>Mademoiselle Frigide<\/strong>, \u00ab qui coinc\u00e9e dans ses principes s\u2019enguenille d\u2019\u00e9paisseurs \u00bb, <strong>un homme inf\u00e2me<\/strong>, \u00ab empress\u00e9 \u00e0 tel point qu\u2019il \u00e9tait redoutable de croiser son chemin \u00bb, et sans doute, <strong>Eloa<\/strong>, quand, \u00ab Son bras, comme un lis blanc sur le lac suspendu, s\u2019approche sans effroi lentement \u00e9tendu \u00bb\u2026<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">En plein <strong>r\u00eave<\/strong>, sur le fil, tel un <strong>funambule<\/strong>, entre <strong>l\u2019ombre et la lumi\u00e8re<\/strong>\u2026 Guillaume saura-t-il choisir ? Accompagn\u00e9 de sa conscience, sous<strong> le regard de la lune <\/strong>\u00e0 la rencontre de l\u2019\u00eatre aim\u00e9\u2026<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\"><strong>N&rsquo;ayez pas peur ce n&rsquo;est qu&rsquo;un r\u00eave<\/strong> &#8230;<\/span><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-size: 12pt;\">\u00ab Ainsi passe la vie des hommes, qui se d\u00e9roule comme un r\u00eave \u00bb<\/span><\/p>\n\n\n\n<p style=\"font-size:14px\"><a href=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/dossier_presse_amours_ameres.pdf\" data-type=\"page\" data-id=\"1687\" target=\"_blank\" rel=\"noreferrer noopener\">Dossier de Presse<\/a><\/p>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\"><\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-medium\"><a href=\"https:\/\/theatredebagatelle.com\/index.php\/presse-amours-ameres-2\/\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"98\" src=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Vign_PRESSE-500x164-1-300x98.jpg\" alt=\"\" class=\"wp-image-877\" srcset=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Vign_PRESSE-500x164-1-300x98.jpg 300w, https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Vign_PRESSE-500x164-1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<figure class=\"wp-block-image size-medium\"><a href=\"https:\/\/theatredebagatelle.com\/index.php\/photos-amours-ameres\/\"><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"98\" src=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Vign_PHOTOS-500x164-1-300x98.jpg\" alt=\"\" class=\"wp-image-893\" srcset=\"https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Vign_PHOTOS-500x164-1-300x98.jpg 300w, https:\/\/theatredebagatelle.com\/wp-content\/uploads\/Vign_PHOTOS-500x164-1.jpg 500w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><\/figure>\n<\/div>\n<\/div>\n\n\n\n<hr class=\"wp-block-separator has-css-opacity\"\/>\n\n\n\n<div class=\"wp-block-columns is-layout-flex wp-container-core-columns-is-layout-d0b3c9c8 wp-block-columns-is-layout-flex\">\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p><a href=\"https:\/\/theatredebagatelle.com\/index.php\/gainsbourg-et-jane-b\/\">Pr\u00e9c\u00e9dent<\/a><\/p>\n<\/div>\n\n\n\n<div class=\"wp-block-column is-layout-flow wp-block-column-is-layout-flow\">\n<p class=\"has-text-align-right\"><a href=\"https:\/\/theatredebagatelle.com\/index.php\/intimement-barbara\/\">Suivant<\/a><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Cr\u00e9ation 2025 piano, chant et arrangements: Guillaume Giraud Amours Am\u00e8res Dans l\u2019Amer Amour, Jean-Richard Freymann nous introduit \u00e0 une m\u00e9ditation \u00e0 la fois&nbsp;douce et cruelle sur deux r\u00e9alit\u00e9s qui figurent parmi les plus ambivalentes de l&rsquo;exp\u00e9rience humaine : l&rsquo;amour &#8211; hant\u00e9 par son double la haine &#8211; et la m\u00e8re \u2013 parasit\u00e9e par la femme,[\u2026]<\/p>\n","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"remove_blocks_before_content":false,"remove_blocks_after_content":false,"countdown_timer_date_events":"","disable_reading_progress_bar":false,"footnotes":""},"class_list":["post-1568","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/pages\/1568","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/comments?post=1568"}],"version-history":[{"count":26,"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/pages\/1568\/revisions"}],"predecessor-version":[{"id":1714,"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/pages\/1568\/revisions\/1714"}],"wp:attachment":[{"href":"https:\/\/theatredebagatelle.com\/index.php\/wp-json\/wp\/v2\/media?parent=1568"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}